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Fashion and Costume References and Illustrations
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Updated May 5, 2008

**Please note: All patterns are original…. we do not sell reproductions or copies. All patterns have been counted and are complete unless otherwise noted. All prices INCLUDE first or media class shipping within the U.S. International customers should email for shipping cost. When requesting items, please use page title, line letter, and item number. If envelope or cover condition is important, please indicate so...most older paper items are not in mint condition and show normal-use wear, creases, and discoloration, unless otherwise indicated. If you are looking for specific items, email requests as we have an extensive library of early needlework patterns and references for sale. We buy daily…… please email with specifics if you have items to sell!

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Row A Fashion Magazines: All prices include U.S. shipping. All issues complete unless noted, any defects (beyond normal wear) are noted. We often have other issues not shown, email wants.

1) Delineator Magazine, March 1928, 134 pages, large magazine format, cover by Helen Dryden. Forecast of Spring fashions includes 13 pages of flapper-era fashion and accessories illustrations, all fashion drawings in black and white. Paris Sends Accessories is illustrated with drawings by Dynevor Rhys, dresses shown include street frocks, sport frocks, evening frocks, frocks with asymmetrical hemllines, ensembles, coats, frocks with jobots and scarfs, four pages of children’s fashions. Great color period ads for Aunt Jemima pancake flour, ad for rayon showing Paul Poiret evening gown, Wrigley’s Doublemint gum, deco style ad for Fatima cigarettes, deco style ad for Modarts corsets, more. Overall condition is good plus: covers are worn at spine and separating, covers have edge wear and creasing at corners, overall light even soiling, interior pages are clean, unmarked, no cut-outs, some page corner tips have turndowns or curls, text block spine is tight. $18 including Bound Printed shipping. I have other issues of Delineator, email wants and decades needed;
2) Harper’s Bazaar, June 1931, 164 pages, cover by Erte. This is the early-summer fashion issue. Content is heavy on evening wear (Maggy Rouff, Lucille Paray, Max-Leroy, Worth, Chantal, Lanvin, Redfern, Jenny, Alex, Talbot, Mirande, Louiseboulanger, Hattie Carnegie, Schiaparelli), plus day and garden party frocks (Vionnet, Goupy, Augustabernard, Mainbocher, Dormoy), Paris fashions photographed by Baron de Meyer (8 pages on heavy stock in sepia tones showing fashions by Mainbocher, Lenief, Callot, Patou, Agnes, Molyneux, and Cheruit), beach pyjamas, accessories of the season, sketches from Cannes, more. Magazine in very good minus condition, front cover has some discoloration along two edges and a vertical crease, spine is tight, interior pages are clean and unmarked, some page tip turndowns, issue is complete. A wonderful look at fashion during the early-1930s, perhaps the best fashion decade of the last century. $90 including shipping.
3) Flair – Paris Issue April 1950, 126 pages. A superb, short-run publication showing excellent, upscale fashion. This issue features the Spring 1950 Paris Collections and shows garments, details of garments, and accessories (including millinery) by Fath, Schiaparelli, Dior, Desses, Balmain and Balenciaga. There is a neat two-page layout with small photos of fashion garments from the years 1715-1906. Lots of articles related to Paris, Paris artists, and luminaries. PLEASE NOTE: the first few pages of the magazine are loosening from the text block at the top 3”. This does not affect use, but I believe one of the first (non-fashion) pages may be missing. I cannot be certain as the page numbering is a bit odd. Covers show scuffing, paper is soft and pliable, interior pages are clean and unmarked, no odors. $25 including shipping;
4) Vogue Magazine, May 1, 1928, 172 pages, New York Fashions issue, 12.5” x 9.75”, cover by Lepape. Includes illustrations or photos of fashions from Paquin, Cheruit, Louiseboulanger, Patou, Chanel, Hattie Carnegie, Callot, Poiret, Lanvin, Mary Nowitzky, Chantal, O’Rossen, Patou, Chanel, Carette, Lucille, Davidson, Jerome, plus hats in felt and straw, French chic millinery, ribbons rise on Parisian hats, new variations on cape and scarf themes, the tailored coat with a feminine aspect, new chic accessories and details, silk coats for afternoon, the season at Cannes and smart parties in Paris, contemporary British art, pianos of the twentieth century, new dressing tables, Bergdorf Goodman creates a feeling the Paris couture in New York, designs for practical dressmaking with illustrations of Vogue patterns (9370, 9383, 9391, 9392, 9393, 9394, 9395, 9396, 9397, 9398, 9399, 9400, 9401, 9402, 9403, 9404, 9405, 9406, 9407, 9410, 9411, 9412, 9413, 9414, 9417) and Vogue Special Design patterns (S3229, 3230, 3231, 3232, 3233) and Junior Vogue patterns (9408, 9415, 9416) and children’s patterns (2810, 2811, 2812, 2813, 2814). Overall good condition: Front cover has even light soiling, back cover has heavier soiling, wear and some chipping at cover edges, bottom two inches and top 1/2 inch of cover spine cover worn away, front cover missing lower corner tip, interior pages complete, some lower corner page tips have turn backs, prior owner made penciled notations on several non-fashion related ads and articles (evidently planning a trip to France), light crimp through entire issue from storage (will flatten), issue is sound. $60 including media shipping; I have other Vogue issues – email wants.
5) Vogue Magazine, March 15, 1940, 136 pages, cover by Toni Frissell. Excellent issue which is loaded with evening wear and includes Vogue’s report of the Paris Collections (Schiaparelli, Balenciaga, Talbot, Molyneux, Suzy, Paquin, Patou, Piguet, Lanvin, Lelong, Maggy Rouff, Alix, Marcelle Chaumont, Mad Carpentier), new jewellery, gloves, fur accessories, hats, bouffant skirts for dinner, spot-light on Betty Hutton, fashions for women in the public eye, fashion under $20, ad with Tommy Dorsey and swing singer Edith Wright, much more. Very good condition, some wear at upper/lower spine, spine is tight, interior pages are clean, unmarked and complete, some mustiness. $55 including media shipping. (I have other Vogue issues – email wants).
6) Harper’s Bazaar, March 1963, 226 pages, cover photo by Sokolsky. Content: Paris and American collections with photos of fashions from Dior, Yves Saint-Laurent, Nina Ricci, Cardin, Chanel, Courreges, Simonetta, Fabiani, Patou, Lanvin, Capucci, Laroche, and Balmain. Also includes geometric and abstract prints, patent and pleated leather, white and black fashions, wallpaper prints, article on Judy Garland, more. Very good condition, wear at cover spine, scuff on front from old price tag (see below R in scan), first and last two pages have some chipping at lower edge, spine is tight, interior pages clean and unmarked, issue is complete, $30 including media shipping, I have other issues of Harper’s from the 1930’s-60’s, email wants;
7) Vogue Magazine, October 15, 1958, 122 pages, cover by Rawlings. New coats including moire opera coat from Castillo, evening dresses, belts, fashions with Empire waistlines from Vogue patterns, classic nightgowns, more. Very good condition, some wear at cover spine, spine is tight, interior pages clean and unmarked and complete, $25 including shipping.

 

Row B Fashion Magazines: All prices include U.S. shipping. All issues complete unless noted, any defects (beyond normal wear) are noted. We often have other issues not shown, email wants.

1) The Ladies’ Home Journal, October 1909, 114 pages, folio size, 16” x 11”. A general homemaking magazine that offered various specialty issues throughout each year and promoted Ladies’ Home Journal patterns available via mail order. This issues features photographs of new sweaters for winter, fashion embellishments fresh from Paris shops (collars, ties, cravats, ribbons, ruffles, ruches, belts, buckles, sashes, hairpins, aprons, stockings, gloves), full-page color ad for Printzess Fashion Show on heavy stock, millinery, new ideas for old clothes, new hats and gowns and coats, 12 pages of detailed drawings for the latest in Ladies’ Home Journal patterns (dresses, tailored suits and separate coats, blouses and shirtwaists, evening gowns with suggestions for embroidery, children’s clothing, new autumn fashions), a millinery lesson, making a corset cover and plain gored skirt in a one-piece or attached garment, plus articles/photos of Halloween Merrymakings, Tables for Halloween, social affairs for Halloween, embroidered wash curtains, baskets you can make for Christmas, attractive lamps and shades, homemade screens, Christmas gifts in cut leather, much more. Overall very good minus condition: covers have wear at edges and spine, some creasing, mailing label center upper front cover, interior pages are clean and unmarked, center page has loosened from staples, a few pages have faint discolorations at corners or margins that do not affect content, $75 including shipping;
2) Delineator Magazine, August 1892, 87 pages plus 32 pages of advertisements for patterns, household aids, medicines, etc., 11” x 8”. The Delineator was a vehicle for promoting the latest in Butterick fashions. Each issue is crammed with many black/white detailed illustrations showing the latest styles, accompanied by descriptions of each garment (pattern number, construction details, fabrics, yardage requirements, etc). Included in this issue are capes and coats, bicycling and promenade costumes, housedress with apron, long apron with sailor collar, dressing sacque, costumes with slight and demi-trains, blazers, watteau coat, drawers, fashions for girls, styles for infants and children, stylish hats, fashionable millinery, ruchings, decorations for apron, decorations for cornet or horn skirt and basque, decorations for many ladies’ garments and lingerie, pattern for a traveling sewing case, chart for cross stitch embroidery design, gentleman’s four-in-hand, design for table cover with alliance embroidery, lambrequin, rosette in tatting, tatted bottom for a fancy bag, knitted fascinator, dotted lace and insertion, gentleman’s knitted scarf, crocheted yokes with fancy braid, hair-pin work fringe, leaf in feather-edge braid and crochet, more. Overall condition is good: covers have wear (noticeable at front center spine) and general soiling, text block spine is tight and straight, $20 including shipping. I have other Delineator magazines, email wants;
3) Delineator, September 1925, large magazine format, 84 pages, includes 13 pages of new Butterick patterns, sketches from the Butterick Paris shop of designer fashions (Lucien Lelong, Patou, Cheruit, Premet, Renee, Jenny), plus day frocks, evening wear, two pages of childen’s fashion, pajama negligee, knickers, nurse’s uniform, and one page of transfers. Some pattern illustrations are in color. There is an article on lampmaking, plus many period ads. Overall good condition, covers have soiling, especially heavy on the back cover, spine is tight, pages are clean but have some sporadic discoloration, $18 including shipping. I have other Delineator magazines, email wants;
4) The Designer Magazine, Standard Fashion Company, June 1900, Vol XII, No. 2, 120 pages, 11” x 8”. Fashion and millinery, with text descriptions and hundreds of sketches of Standard patterns, plus 4 color plates (one of millinery). There are several excellent b/w plates (one fashion per plate), one plates shows women’s bathing suits. This issue has complete descriptions of all garments shown in both the color and b/w plates regarding construction, fabrics, detailing, etc. Also includes articles on making a handkerchief waist (with pattern layouts), millinery for June, hats for early Summer, floriculture – the rose, tatted doilies (with instructions), novelties in bamboo, fancy crocheted laces, new cushions, more. Front cover is worn from middle of spine downward, long closed tear across front front lower spine, short tear from outer edge, creases at upper corner, all color plates are very good, text block spine is tight, interior pages clean and unmarked, some lower page edges have nibble marks (does not interfere with content), magazine is complete, a nice issue! $48 including shipping. I have other Designer magazines, email wants;
5) McCall’s Magazine – May 1913, 116 pages, one color plate of McCall's patterns 5241-5225-4175 (blouse waist and skirt and slip), 5244-5247 (waist and skirt) and 5249 (dress with cutaway peplum), several full-page black/white fashion plates, plus chic dress for afternoon promenade, draped skirts and jacket-front waists, Russian and Balkan effects, new blouses, chic house dresses, Lessons in Home Millinery – makeovers, the home dressmaker – making a graduation dress, Roman cut-work embroidery, table decorations in sets, tea and teapots, more, plus ads for household goods, domestic supplies, and wardrobe accessoriesmore. No back cover, front cover has edge wear but is still attached, text block is tight, interior pages clean and unmarked, issue was folded for mailing and retains faint vertical (center) crease. $22 including shipping. I have other McCall’s issues, email wants;
6) Dressmaking At Home, edited by May Manton, large format (13.5” x 10.75”, paper covers. This is a magazine designed to illustrate May Manton sewing patterns. Each issue is profusely illustrated with lovely drawings of the latest fashions (mostly women’s, with a few children’s), each keyed to a May Manton pattern number. There are several large plates of women’s fashions with lengthy descriptions of the construction and fabrics. Also included are articles on specialized sewing techniques, fashion, and some household topics, plus period ads for all things household. I have three issues: A) June 1908 – 47 pages, much fashion plus stately homes of Washington, talks on princess dresses, return of the circular flounce, use of bordered materials and bandings, coming fashion trends (satin, tunics, carriage wraps, clinging gowns), stenciling for gowns and trimmings, new designs in art needlework for garments, seen in New York shops, adventures of the penny doll part V (the wedding), more. Cover has some soiling, small tears, light spine wear, interior pages are tight, clean and unmarked; B) August 1908 – 47 pages, much fashion plus mid-summer beauties of Washington, fashionable and dainty neckwear, the semi-princess gown and variations, mid-summer millinery from Paris shops, fashionable skirts, new fashion trends, more. Cover has some soiling, small tears, substantial spine wear, interior pages are tight, clean and unmarked; C) September 1908 – 47 pages (pictured in scan), much fashion plus children of “officialdom”, fashion notes (Empire crepe de chine gowns, fashionable underwear, sashes, serge costumes), how to make a tailored coat, making laces at home, latest styles in millinery from Paris, seen in New York shops,  more. Cover has some soiling, small tears, light spine wear, interior pages are tight, clean and unmarked. Any issue is $45 including shipping;
7) Elite Styles, Elite Styles Company, New York. Awesome magazine featuring exceptional drawings of 1920’s fashions, all of which were available from Elite Patterns. Many of the fashions are in color, each sketch is full described as to fabric, construction, and yardage requirements, and each has an assigned Elite pattern number. Most of the fashions are for women, but there are also children’s styles. There are fashion reports from Paris and New York, and a few dressmaking articles. January 1925 – 55 pages, 14.5” x 10.25”, this issue is smaller in format and has a few less color illustrations than the early-1920s issues, but includes several pages of photographed fashions. Flapper-era fashion including coats with braid and fur trim, coat-dresses, embroidery accents, article on hats, charm and chic from Paris, semi-formal wraps, costume suits, three-piece suits, evening gowns, skirts, small gifts from New York shops (with prices), more. Covers have some even soiling and are separating at spine, small tears, penciled notation on front cover, interior pages are tight, clean and unmarked, $65 including shipping. I have other issues from the same time period and several from circa 1900 – email if you are searching for issues.

 

Row C Fashion Catalogs and References: All prices include U.S. shipping. All items complete unless noted, any defects (beyond normal wear) are noted.

1) Arkwright Fashion Clinic Sketch and Fabric Swatch Notebook – June 1968, large three-ring vinyl binder, unpaginated but over 100 pages on heavy stock. This is a book designed for use by department store clothing buyers, introducing the new styles, fabrics, and trends of the late 1968 fashion season. There are pages of printed text that discuss important upcoming styles, looks, new fabrics, fabric combinations, dress silhouettes, colors, details, etc., plus pages of fashion sketches with brief notations as to fabrics and important details. But the real bonus is the dozen or so pages of fabric samples, each page with several coordinated swatches, combined with complimentary colors and textures. The book was intended to guide clothing buyers in making purchasing decisions for their store and is an excellent look at Twiggy-era fashion and fabrics. All pages printed on one side of paper only. Other than a couple of dividers which are missing index tabs and edge discoloration on a few back pages, very good condition. $40 including media shipping;
2)1929 Dorros Fashions for the Bride Catalog, Issue 107, Fall 1929, Dorros Bros, Inc., New York, 24 pages, magazine format, paper wraps, 12.25” x 8.75”. A scarce catalog featuring clear b/w photographs of late 1920s bridal veils, headdress sets, caps, and wreaths, plus small bouquets and French evening bandeaux. All of these accessories could be ordered from Dorros Original Bridal Creations in Paris, via the New York Dorros company on East 33rd Street in New York City. The veils and headdresses are quite elaborate and are combinations of elaborate laces, intricate embroideries, beadings (with rhinestones, pearls, orange blossoms and buds), and shirrings. Headdresses and embroidered veils are photographed close-up so that you can see details. A superb reference for those interested in vintage bridal wear! Vg condition, wraps have some soiling and crimping, interior pages clean and unmarked. $90 including shipping;
3) 1960 Spring and Summer Fashions, Graphic Fashions, Philadelphia, PA, 32 oversized pages, heavy paper covers, spiral bound, 14.25” x 9.75”. This is an ordering book for a tailor’s shop, illustrating mostly suits for men and women, plus topcoats, overcoats, tuxedos, vests, clerical frocks and sacks, women’s skirts, and women’s coats. All of the illustrations are done on heavy stock, one side of page only, sixteen of the men’s illustrations are in color, the remainder of the illustrations are black/white. Each illustration has an assigned model number and is accompanied by a brief description. Very good condition, all pages present, pages are bright, clean, and unmarked (except for a brief penned notation on one). $25 including shipping;
4) Fashions of the Hour – Marshall Field & Company – June 1926, 40 pages, paper covers, 12.75 x 9.5. Shows upscale fashions from the flapper era, available from Marshall Field department stores. Includes two b/w sketches by A.E. Marty showing Lanvin and Lelong dresses, b/w sketches of a summer evening gown, evening wrap, chiffon dinner gown, the right dress to wear to summer weddings, afternoon frocks, overblouses, plus color and design in shoes, new Paris hats (from Rose Descat, Georgette, Maria Guy, Reboux), lingerie from Paris, undergarments, coats, bathing suit, equestrian wear, etc. There is a section in back devoted to home decorative accessoris, luggage, men’s clothing, men’s sporting goods, plus articles on Modern Style In Industrial Art, A Collection of Unusual Floor Coverings, and Interesting Treatments in Decorating Room Corners. Photo on page 2 is of the actress Katherine Cornell wearing a wrap of black chiffon with silver embroidery. Catalog is in good plus condition, covers have light wear, staples are oxidized and center page has worked loose from staples, interior pages are clean, unmarked, and complete, no odors or mustiness. $45 including shipping. I have other Marshall Field catalogs from 1929-1935, email wants;
5) Evelyn Tobey’s Fashion Service, paper covers with stapled binding, 11” x 8.5”. This is basically a newsletter-type monthly publication which outlined the latest fashion trends and includes a paper pattern for items related to issue content. I believe many were sent to dressmaking instructors. I have two issues: 6a) May 1934 – 9 pages plus pattern, covers the newest in nautical accents for clothing, gloves, hats, shoes, silhouette, newest in jackets, styles of closing jackets, jacket sleeve styles, a master blouse pattern adapted for jackets, master sleeve pattern, the loop-loop scarf. Pattern includes large-size master sleeve, sailor gob hat, and collar section of topper shown in issue. Some fading and wear to cover, otherwise vg. $22 including shipping, and 6b) Oct 1934 – 7 pages plus two pages of patterns, the newest in toppers, types of day dresses and their characteristics, shirt-bosom topper, ring collar, the Alix removable collar, cross-over tab collar, ribbon vestee collar, cowl bib collar with ends through ring, scarf ends collar, draped down cossack style hats. Patterns include Russian hat, cowl bib collar, scarf-end collar, cross-over tab collar, ring collar. Covers show soiling, a couple of short tears on patterns otherwise vg, $28 including shipping;
6) Springmaid Fabrics – Fashions Sketches and Fabric Samples – Spring 1962, heavy paper covers with brad binding, 23 pages, oblong 10” x 13”. A nice fashion catalog showing patterns from Simplicity, McCall’s and Vogue along with appropriate fabric samples for each fashion, plus a brief discussion of each style. The first page shows fabric samples in solid colors and discusses the color palate for Spring 1962. All remaining fabric samples are prints, with emphasis on watercolor influences in florals, abstracts, and conversational prints. Print fabric samples measure 4” square. Covers have some wear, brads are oxidized, FEC has rub-off discoloration from samples on first page, spine is tight, pages are clean and bright. $46 including shipping;
7) Montgomery Ward New Fashion Fabrics – Fall Winter 1940, catalog format, heavy paper covers, tape and brad binding, 14 x 11.25, 32 pages. Nifty sales catalog for 1940 fall/winter Montgomery Ward fabrics, including rayons, silks, wools, and cottons. Contains actual pages from the fabric section of the FW Montgomery Ward catalog, remounted on heavy stock. Each opposing page has actual fabric samples mounted on heavy stock. 149 total fabric samples and, incredibly, none are missing. Overall vg condition with scuff wear to covers, $135 including shipping.

 

Row D Costume and Fashion Books: Prices include U.S. book rate shipping for all hardcover books (surcharge quoted for first class). For many more costume and fashion references please see the Book Page, Section 800.

1) Elsa Schiaparelli, Francois Baudot, Universe Publishing and The Vendome Press, New York, 1997, 80 pages, hardcover with dj, 8.75 x 6.25, ISBN 0 7893 0116 4. One volume of ten in the Universe of Fashion series from Universe/Vendome (I have other volumes listed on the book page under the costume numbering sequence 800). Each book is devoted to a single designer and features a brief biographical text, a chronology of important dates in the designer's life, and a photo-chronology (with thumbnails and text) describing actual garments by the designer and important/unique elements of each garment. The remainder of the volume is filled with lovely single page photographs and sketches of the garments referenced in the thumbnail chronology. This volume covers the career of Christian Elsa Schiaparelli. Color and b/w photographs, an excellent Schiaparelli fashion reference. Book appears little used, name penned on FEP (blank), dj has a small peel at lower front corner. $75 including shipping;
2) Chanel Solitaire, Claude Baillen, Quadrangle, New York, 1974 - 1st U.S. edition, 192 pages, hardcover with dustjacket and protective mylar cover, 9.5" x 6.5". Translated from the French by Barbara Bray. A unique story of Chanel, written by a trained psychologist who was befriended during the last ten years of her life. Baillen's memoir is filled with images of Chanel at work, her relationships with the men she loved, and the world she moved in, peopled by Cocteau, Stravinsky, Dali, the Duke of Westminster, and the Prince of Wales. This is not a formal biography, but a portrait of Chanel based on personal conversations and observation. Illustrated with many rare unpublished photos, very good condition, $25 including shipping;
3) Japanese Costume and Textile Arts, Seiroku Noma, Weatherhill / Heibonsha, New York/Tokyo, 1974 - first English edition, 170 pages, decorated boards with dustjacket, 9.25 x 7.25, ISBN 0 8348 1026 3. Volume 16 (of 31) in the Heibonsha Survey of Japanese Art, this one deals specifically with costume and textiles. There are over 43 full-color and 150 b/w illustrations accompanying the description of the development of Japanese textile art in relation to the social background of the times. The text deals mainly with two artistically outstanding forerunners of the modern kimono: the kosode and the costumes of the Noh theater. One area of emphasis concerns the major change that occurred in Japanese styles of dress in the second half of the fifteenth century, whereby the earlier outer garments of the upper classes (with wide sleeve openings) were replaced by the undergarments with narrow sleeve openings (or kosode), which then became more lavish in its decoration. The text deals not only with costume art, but also types of textiles, decorating techniques, and designs. Includes foldout plates and protective tissues between plates. Dj has a tear at upper spine, book in vg plus condition other than prior owner's name on FEP, $35 including shipping;
4) The Hat - Trends and Traditions, Madeleine Ginsburg, Barron's, New York and Toronto, 1990, 160 pages, hardcover with dj, 11.75 x 9.25, ISBN 0 8120 6198 5. Tells the colorful story of the hat, from the 15th to the 20th century. Examples from all periods are shown and discussed including the Poiret turban, the Merry Widow Hat, the Garbo fedora, the Queen Mary toque, and the mad hats of Schiaparelli and Mr. John. A section called Hats in the Language traces the origins of many well-known and curious phrases related to hats. There are over 200 color and b/w illustrations (rare sketches, drawings, paintings, and advertisements) depicting hats that are shown here for the first time. Also includes are a study guide, glossary, and a list of collections. Vg condition. $32 including shipping;
5) Millennium Mode - Fashion Forecasts From 40 Top Designers, Roberta Wolf and Trudy Schlacther, introduction by Richard Martin, Rizzoli, New York, 1999, 112 pages, pictorial hardcover, 12.25" x 9.25", ISBN: 0 8478 2114 5. Forty of the fashion industry's most acclaimed designers present their unique visions for clothing and accessories in the new millenium. Their creations are featured in sketches and high-fashion photography and are worn by supermodels such as Kate Moss. The designers explain in their own words what they believe fashion will be in the 21st century and also comment on such subjects as the role of the computer in fashion design, the discovery of new color palettes, and the latest breakthroughs in textile development. Designers include Issey Miyake, John Galliano, Todd Oldham, Dolce & Gabbana, Tommy Hilfiger, Kenzo, Geoffrey Beene, Escada, Etro, Rykiel, Mary McFadden, Carolina Herrera, Isaac Mizrahi, Prada, Michael Kors, Gianfranco Ferre, many more. Lavishly illustrated with more than 100 color photographs. Book is new and unused, light storage scratches to covers. $30 including shipping;
6) Fashion In Photographs 1920-40, Elizabeth Owen, B.T. Batsford Ltd, London, published in association with The National Portrait Gallery, 1993 - 1st printing, 144 pages, hardcover with dj, 11 x 8.75, ISBN 0 7134 6208 6. An absorbing and informative account of the fashion and social history of the 1920s and 1930s, featuring 150 period photographs showing a wide variety of dress, worn by the general populace, politicians and intellectuals, and luminaries of high society. The source of the photographs is the National Portrait Gallery and the author's selection includes a number of unfamiliar images of well-known figures of the period including Cecil Beaton, Nancy Astor, and Queen Alexander. Each photograph is accompanied by a full caption that not only describes costume, accessories, and setting, but also gives background information and discusses contemporary dress codes, what the clothes felt like to wear, and how fashion developed during the period. An excellent costume and fashion reference from three great decades of the 20th century. Dj has some storage scratches, book in vg condition, spine is straight and tight, interior pages unmarked and bright. $80 including shipping;
7) Gianni Versace, Richard Martin, The Metropolitan Museum of Art, New York, distributed by Harry N. Abrams, Inc., New York, 1997, 192 pages, hardcover with dustjacket, 12.25" x 9.5 ", ISBN 0 8109 6521 6. An extensive publication that accompanied the Versace exhibition at the Costume Institute, The Metropolitan Museum of Art, held from December 11, 1997 through March 22, 1998. Richard Martin, Curator in Charge, has written a conceptual and analytical text the both places Versace's work in historical context and provides new insights into the major inspirations and themes of the designer. He discusses Versace's relationship with earlier designers' work, and clarifies Versace's exuberant expression of glamor and of independence from middle-of-the-road vlaues. The books is divided into seven conceptual sections, each beginning with a text summarizing the topic and including a brief discussion of individual costumes, all illustrated with striking elegance and simplicity using full-color photos by Karin L. Willis. No aspect of his work is neglected and the text covers Versace's relationships with various artists, his creative interpretations of the past, his unusual incorporations of industrial plastics and leather, and his costumes for opera and dance. 107 full-color illustrations, vg condition. $38 including shipping.

 

Row E Costume and Fashion Books:Prices include U.S. book rate shipping for all hardcover books (surcharge quoted for first class). For many more costume and fashion references please see the Book Page, Section 800.

1) Modes and Manners Ornaments, Max Von Boehn, E. P Dutton and Company, Inc, New York, 1929 - first published in London by J. M. Dent and Sons Ltd, 273 pages, hardcover, 8.5 x 6, translated from German. This is an ancillary volume to Von Boehn's classic four volume set of Modes and Manners. It is an historical survey of fashion accessories, including gloves, lace, fans, walking sticks, umbrellas and parasols, and jewelry and trinkets of all types. 16 color plates and 225 monotone illustrations accompany a detailed text describing the trifles considered embellishments or accents in the world of fashion. An excellent specialized fashion reference on articles that are often neglected in large costume surveys. Vg minus condition, covers have shelf wear, spine has fading, spine is straight and tight, break in paper covering at frontis page inner spine but still solid spine, three names penned on front inside covers, interior pages are clean, bright and unmarked, a sound copy. $45 including shipping;
2) 2 Betty Co-ed Of Hollywood Catalogs, undated but 1943-45, heavy paper covers, one catalog is 74 pages, one is 44 pages, 8.25” x 10.75”. Betty Co-ed of Hollywood was filmland’s pioneer mail-order fashion house and utilized its geographic address and WWII quite heavily in promoting its fashions. The catalogs feature primarily women’s fashions, which include a “Braid Parade” suit, man-tailored slacks, “Hollywood Smarty” dress, “Rodeo” slacks, “South Seas Siren” bra and sarong-skirt bathing suit, “Boy” coat, “Winged Victory” dress, “Hollywood Preview” cardigan suit, much more. There is one fashion per page, illustrated with either a line drawing or by a photographed model. Fashions include all types of dresses, pinafores and jumpers, a snood, several western-style shirts and slacks, dickies, coats, robes, and separates. Also includes are a couple of pages of menswear, hand carved mahogany serving trays, a compact, cigarette case, and a handbag. Catalogs are in good condition with just some cover creasing and light soiling, interiors are very clean and unmarked, $40 for both catalogs including shipping;
3) 1920s Lingerie Catalog, Preference Under Apparel and Sportwear, Irwin Building, Minneapolis, Minnesota, 26 pages, heavy paper covers, undated but circa 1925-28. This is a catalog of upscale lingerie fashions, available from Preference Under Apparel and Sportswear in Minneapolis during the mid-1920s. This is a catalog from which the customer could order undergarments handmade for their measurements. There are 25 total pages, each printed on very heavy, light brown stock and which are held in a rather tatty paper cover with brads. Each page shows one drawn illustration (7-8” high) of a nightgown, bloomers, bandeau, chemise, dansette, or combination, plus a brief description of each fashion. There is a decorative deco-style line bordering each page, plus the business name at the top. The catalog will come apart easily, should you wish to frame pages. Of the 25 pages, one shows illustrated instructions for taking measurements, five are for mid-1920s women’s dresses, one is for a man’s unionsuit, and eighteen are for women’s lingerie. The drawings are excellent, the condition of the pages is excellent, the only shortcoming here is the paper covers. A scarce catalog of 1920s lingerie fashions! $50 including shipping.
4) 1960 Spring Summer Men’s & Women’s Fashion Portfolio, Graphic Fashions, Philadelphia, PA, oversized folio, 14" x 9.5”, spiral binding. A large format catalog of men’s and women’s suit offerings for the fashion season Spring/Summer 1960, no manufacturer given. This is similar to the large tailoring sales books from earlier in the 20th century, sans the fabric swatches. There are 20 pages of men’s fashions and 12 pages of women’s garments, each illustrated on one side of heavy stock. 16 of the 20 men’s illustrations are for a single suit and are in color, each with a back view. The remaining 4 men’s illustrations are b/w and have multiple images on each page, including overcoats, tuxedos and formal wear, and clerical garments. All of the women’s garment illustrations are b/w, the majority are Jackie Kennedy-era suits, with a few coats and one page of skirts.  All of these illustrations are frameable. Vg condition, covers have some light soiling, $32 including shipping;
5) Yves Saint Laurent, David Teboul, Harry N. Abrams Inc, New York, 2002, 540 pages, laminated boards, no dj issued, 9" x 10.5", ISBN 0 8109 0565 5. A massive pictorial diary of Yve Saint Laurent's preparation for his 2002 spring fashion collections, precipitated by Laurent's retirement decision in 2002. For almost fifty years, he has been recognized as one of the world's greatest fashion designers, assuming the head position at the House of Dior when he was merely 21 years of age. The book follows each stage of preparing the 2002 Spring collection. There are also photos from his earlier years, pages from his mother's scrapbooks, and first-time published quotes from Laurent. Very good minus condition, wear at cover corner tips, soiling at bottom edge of text block, interior pages tight and clean. $35 including shipping;
6) The St. James Fashion Encyclopedia - A Survey of Style from 1945 to the Present, edited by Richard Martin, Visible Ink Press, Detroit et al, 1997, 438 pages, hardcover with dj, 9.5" x 7.25", ISBN 0 7876 1036 4. A collection of critical essays and biographies for over 200 designers representing the second half of the 20th century. Includes clothing, millinery, and shoe designers. There is historical info on couture houses and background on leading designers, plus 85 full-page photographs showing examples of designer clothing. The text and index are arranged in alphabetical order for easy use. An excellent reference for those interested fashion and designers. Book appears unused and has no marks or wear.$25 including shipping;
7) Stage Costuming, Agnes Brooks Young, The Macmillan Company, New York, 1927 - appears to be a 1st edition, 216 pages, hardcover, 7.75" x 5". Ms. Young was the costume director of the Cleveland Playhouse. This is a comprehensive text on historical costuming and it has pattern layouts for many garments. There are explanations for taking measurements and creating patterns from the measurements, altering standard patterns, cutting, dyeing, sewing, making accessories and masks, and making the best use of lighting. The back of the book contains pattern diagrams, sketches, and brief instructions for making the following costumes: Egyptian man and woman, Greek tunic, Greek chiton, Roman toga, dress of a Roman woman, dress of an early Christian woman and man, dress of 900 AD, dress circa 1450, man's and woman's costume circa 1600, Pilgrim man's and woman's costumes circa 1620 and 1650, man's and woman's costume circa 1700, British man's costume circa 1800, woman's dress circa 1800, woman's dress and cape circa 1840. There are also discussions of textiles and texture, style, and relating the costume to the actor. Vg condition, some wear to covers, spine is sunned, text pages are clean, tight, and unmarked. $30 including shipping.

 

Row F Costume and Fashion Books: Prices include U.S. book rate shipping for all hardcover books (surcharge quoted for first class). For many more costume and fashion references please see the Book Page, Section 800.

1) Mademoiselle Chanel, Pierre Galante, Henry Regnery Company, Chicago, 1973, 298 pages, hardcover with dustjacket, 9.25" x 6.25". A biography of Coco Chanel, including a Chanel photo gallery. The book covers her early years as a millinery designer, her rise to the foremost fashion designer of her day, and her successes in perfume and even hairstyles. The author portrays the life of one of the most influential, complex, and difficult women of the twentieth century, along with the individuals in Chanel's social circle (Cocteau, Stravinsky, Proust, Picasso, Dali, the Fitzgeralds, and many others). Coco, herself, discusses her work, friends, enemies, lovers, feuds and litigations, and her seclusion from 1939-53 followed by a remarkable comeback that insured her name will never be forgotten. Book is vg, dj has some scuffing.$22 including shipping;
2) Mr. Godey's Ladies: Being a Mosaic of Fashions & Fancies, edited by Robert Kunciov, Bonanza Books, New York, 1971, originally published by The Pyne Press, 184 pages, hardcover with dustjacket, 9 x 6.25. A compendium of articles and illustrations from the 19th century fashion magazine, Mr. Godey's Ladies. Included are reproductions of fifteen hand-colored plates, along with several hundred black/white line drawings from the magazine illustrating dresses, outwear, hats and millinery, shoes, parasols, undergarments, gloves, and more from the 1930s-1870s. The text, also taken from Godey's, is an informative and sometimes amusing commentary on changing Victorian fads and fancies in clothing. An excellent reference for the costumer or doll dressmaker. Dj has some bottom edge tears, book is very good. $18 including shipping;
3) Hats Magazine – December 1965, Vol 90, No. 5, 22 pages. Hats Magazine is the only millinery magazine published in America. This issue shows sketches or photos of hats by Lilly Dache, Adolfo, Emme, Don Marshall, Mr. Arnold, Archie Eason, Miss Ruth, Mr. Kurt, Rickie Hat Corp, Renada, Jeanne Lanvin-Bernard Devaux, Paulette, Christian Dior, Nina Ricci, Jacques Heim, Gilbert Orcel, Jean-Charles Brosseau, Jean Patou, Rose Valois, and others. Articles include Early Spring Silhouettes, New Hat Frames, and Wigs and Hairpieces, plus a photo article on the hats worn by Brigette Bardot in the Broadway comedy Viva Maria. Vg condition, $15 including shipping. I have many other Hats Magazine issues from 1965-71, email for list or send wants, discount for volume orders;
4) Costumes of the East, Walter A. Fairservis Jr., The Chatham Press, Riverside, CT, published in association with The American Museum of Natural History, 1971 - 1st printing, 160 pages, hardcover with dustjacket, 10.25 x 8.5, SBN 85699 029 0. A survey of cultural and ethnic costumes and garments, focused in a geographical area from Scandinavia to the Bering sea and from the eastern mediterranean through Southeast Asia. Handsomely illustrated, all the examples shown are from the collections at The Museum of Natural History in New York. The book content is organized by geographical region and each chapter contains an explanatory text plus many color and b/w photographs and drawings of represensative folk costumes. A wonderful resource for the costumer or designer. DJ is rough at edges and shows wear, book in vg condition, interior pages clean, bright, and unmarked, slight upwarp to front cover, bookplate on FEC. $28 including shipping;
5) In Style - Celebrating Fifty Years of the Costume Institute, June L. Druesedow, The Metropolitan Museum of Art Bulletin Fall 1987, New York, 1987, 63 pages, magazine format, 11 x 8.5, ISsN: 0026 1521. A commemorative issue featuring color photos and descriptions of 66 costumes in the collection of the Costume Institute, reflecting the broad range of fashionable Western urban dress. The photographs are arranged in chronological order, beginning with the earliest complete fashionable costume in this hemisphere, an elaborately embroidered dress from about 1695, and ending with the superb Four Leaf Clover ball gown by American designer Charles James. There are superb examples of 18th and 19th century gowns, along with 20th century designer examples including a breathtaking Worth gown with train and a wonderful 1912 Poiret theater coat. Two wedding gowns are shown. Very sharp color photos, plus close-ups of fabrics, construction details, some back views. Vg condition, penned name on title page, interior pages clean, bright and unmarked. $22 including shipping.;
6) History of Children's Costume, Elizabeth Ewing, Charles Scribner's Sons, New York, 1977, 191 pages, hard cover with dust jacket, 10 x 7.5, ISBN 0 684 15357 2. Price includes shipping.†A comprehensive history of children's clothing, drawn from memoirs, letters, poems, advertisements, catalogs, novels, contemporary prints, paintings, and photographs. Ewing uses British, Continental, and American sources that not only describe in fascinating detail the clothes children have worn but also tell about the changing status of the child in society. Anyone interested in the costume of children will enjoy this read. Profusely illustrated with b/w photos and drawings. Vg condition.$25 including shipping;
7) Shawls, Pamela Clabburn, Shire Publications Ltd, Bucks, UK, 1986 (originally published 1981), 32 pages, softcover, 8.25" x 5.75". Small booklet which traces the historical development of the Kashmir shawl and how its design was copied and adapted in Norwich, Edinburgh, and Paisley. Includes b/w illustrations of shawls. Faint stain on lower cover and first interior page, otherwise very good, $8 including shipping.

 

The following rows contain fashion prints and illustrations that are particularly suitable for framing. We are selling these items unframed, as most customers prefer to select framing that coordinates with their furnishings. The true beauty and detail of some of the items cannot be captured by a scanner. This is particularly true for 19th Century prints from fashion portfolios. We have tried to capture accuracy of color as closely as possible but please email if you have questions. Many of these items have edge imperfections but we have not included anything with shortcomings that would not be covered by a mat or frame. We do NOT disassemble publications to obtain prints. All items appearing on this page were obtained as single items and were not removed from their original source by us.

 

Fashion Engravings from the 1890s-1901: These are large, hand-colored, engraved plates with exquisite detailing. They were originally part of large 19th Century oversized fashion folios that were available by subscription, published in New York and Paris, and reflecting the very latest in Paris fashion. The individual pages are heavy paper stock and the approximate size is 17.5" tall x 12" wide. These are too large for our wide bed scanner, so I have scanned only the fashion portion. There is a wide border around each fashion, plus printed details relating to publication at the bottom of each plate. There are also tiny line drawings of back views in the backgrounds of many plates. As hats were important costume accessories in the late 19th century, most of the plates show magnificent millinery! All plates are in overall very good condition: there may be small tears and crimps at some page edges, normal age discoloration gives the backgrounds a rich ivory appearance. The scans cannot come close to accurately representing the richness of the detailing and color on these prints...you will not be disappointed! Fabulous framed, super gifts for yourself or others! Dimensions given refer to overall size of page. Prints will be shipped flat, between cardboard.

 

Row G 19th Century Fashion Prints: All prices INCLUDE first class shipping within the U.S. Foreign customers pay shipping and should email for exact cost.  

1) Afternoon or Walking Toilette - 1895, bodice and long sleeves have horizontal tucks and are trimmed with self ruffles trimmed with lace, standing collar, skirt has stitched down pleats at sides, lace trimming in three concentric circles at hemline, stain ribbon and bows from shoulder to waistband to hemline, primary colors are peachy pink, brown, and coral (hat), style #773, Le Success, Daydou Fils Editeur, May  1897, $30 including shipping;
2) Walking Costume, Evening Waist, and Evening Cape – 1894, evening waist has puffed sleeves, deep v neckline front and back, wide decorative collar, draping effect toward waistline, cape has wide collar finished in scallops decorative trim at fronts and collar, walking costume has puffled sleeves, gathered skirt with back fullness, high collar with ruffle trim that extends to vestee, wide revers, primary colors are rich aqua blue, emerald green, and soft brown, Paris-Toilette, Daydou Fils Editeur, styles no. 1715, 1716, 1722, 1894, $18 including shipping. Please note: figure at right side of print was part of an illustration that extended across two pages. This figure is more complete than shown in the scan, but likely would be mostly covered if framed ;
3) Walking Toilette – May 1897, shown in a green silk shag, plain skirt is trimmed by an insertion of pompadour embroidery on a black velvet bottom, bodice is square pleated and corssed on the side, trimmed by an insertion which joins the skirt insertion under a sash of yellow velvet miroir, small pleated stomacher of Indian muslin, high collar of black velvet with a butterfly of lace in front, Coguille of lace going out from bodice on the side, half sleeves are gathered with small puffing, pointed epaulette is trimmed with an insertion of pompadour embroidery on black bottom, small insertion at the bottom of sleeves. Primary color is a bright teal blue with ink and black embroidery accents. Le Success, Daydou Fils Editeur, May  1897, $28 including shipping;
4) Bridal Toilette – 1897-98, shown in ivory duchesse, skirt with keel pleated at each side, long and round dragging bodice in point, vertically pleated upper bodice above a stomacher of silk muslin pleated horizontally, double epaulet of lace held by a small brace of satin trimmed by a ruching of lace, high collar with tucker of crème silk musline, sleeve gtahered with flounce of lace falling on the hand, print is NOT clipped at left side – entire dress is shown in print and there are sizeable margins, style #672, Le Success, Daydou Fils Editeur, May  1897, $45 including shipping.

 

Row H 19th Century Fashion Prints: All prices INCLUDE first class shipping within the U.S. Foreign customers pay shipping and should email for exact cost.

1) Visiting Costumes – 1892, both costumes with voluminous pleated short sleeves, skirts with back box pleats, right dress has waist with high collar, large square collar with revers and high fluted collar, left style has gathered waist with band collar accented with lace, hem of dress on left side comes right to edge of paper, small crimp in lower, non-illustration portion of page which lies flat, primary colors are soft silver-blue (left) and gray with maroon accents (right), Paris-Toilette, Daydou Fils Editeur, style nos. 1596 and 1597, 1892, $22 including shipping;
2) Evening or Ball Gown, dress has very low front round neckline, higher round back neckline, waist is diagonally draped from the left shoulder which is also adorned with flowers and pleated lace. Skirt has lace tablier above two tiers of pleated sheer fabric, embroidery-enhanced pleated satin train completes the costume, primary colors are soft pink and a soft, but rich, red. Saison De Bal, 1897-98, Vol XVIII, No. 10, October 1897, Daydou Fils, Editeur, Paris, H. & B. Sirotta Publishers, New York, style #14. Overall very good condition, small crimp at very lower edge, illustration comes right to edge of page, $35 including shipping;
3) Evening or Ball Gown, dress has low square neckline front and back, entire bodice is shirred, small tight pleats and ruffles cover the shoulders, tiered skirt has overpanels of tightly gathered sheer fabric, primary color is ivory with crimson accents. Saison De Bal, 1897-98, Vol XVIII, No. 10, October 1897, Daydou Fils, Editeur, Paris, H. & B. Sirotta Publishers, New York. Overall very good condition, small chip and tear at lower edge, January 1898 is penned in script at top of page, $30 including shipping;
4) Evening or Ball Gown, dress has very low shaped front neckline and back neckline, contrast band trims upper bodice, tightly pleated ruffles at shoulders, horizontally gathered bodice, skirt has pleats from back waistline, primary color is frosted pale green with pale gold accents. Saison De Bal, 1897-98, Vol XVIII, No. 13, October 1897, Daydou Fils, Editeur, Paris, H. & B. Sirotta Publishers, New York. Overall very good condition, small bump at upper edge, $30 including shipping.

 

Row I 19th Century Fashion Prints: All prices INCLUDE first class shipping within the U.S. Foreign customers pay shipping and should email for exact cost.

1) Receiving Costume – 1901, intended to be worn at home, collarless gathered waist has full elbow-length sleeves with lace extensions in points, lace collar in points front and back, skirt has pleated back with train, primary color is rich apricot with blue accents, La Parisienne Elegante, Vol XXII No 1, Daydou Fils Editeur, style no. 2857, April, 1901, $28 including shipping;
2) Afternoon/Visiting Costumes and Cape – 1894, two dresses worn for afternoon activities (dress at left side is clipped at border of page and is not frameable, costumes feature either large puffed sleeves or leg-o-mutton sleeves, full skirts with gathers, dress on right has surplice bodice, variety of lace trims, cape has high standing collar and tiers of lace trim, Paris Toilette, Daydou Fils Editeur, style nos. 1718, 1719, 1720, and 1721, 1894, $15 including shipping;
3) Evening/Opera Coat or Wrap – 1897, stunning evening wrap which appears to be worked in satin (this one looks much better in person than in the scan). It has a high flared collar which is done in white fur and fur also trims the fronts (to the floor-length hemline, the capelet lower edge (front and back), and the lower edges of the sleeves extending partially upward toward the elbows. The back of the garment appears to be pleats which release to fullness just above the waistline. There is also an ornamental collar placed above the capelet. Primary colors are soft pastel pink with soft aqua blue, Saison De Bal 1897-98, Daydou Fils Editeur, style no. 15, $35 including shipping;
4) Evening Dress Ball Gown Costume – 1897, low shaped neckline front and back, surplice bodice is gathered/pleated from both side seams and has long pointed back extensions, ruffles cover shoulders, skirt is deeply pleated at back, primary colors are rich teal blue and soft pale gold, Saison De Bal 1897-98, Daydou Fils Editeur, style no.10, $30 including shipping.

 

1930s Dress Illustrations with Fabric Samples: These illustrations are from old sample books that were used by salesmen when taking orders from homes. The customer would select the desired fashion, her preferences in color and fabrics, and place a deposit on the order. The dress was later delivered by mail. The illustrations are representative of the latest styles of the time and feature a color illustration plus a brief description of the fabric, fabric colors, and sizes available on the front side. Individual sheets are good quality, semi-glossy paper and measure 8.5” x 11”. The left borders of the sheets were cleanly drilled for insertion into sales binders…. holes can be easily covered by a mat or frame. Overall condition is very good, an occasional no-harm discoloration on back, small crimp or bump at a corner. I have scanned the entire sheet so you may see placement of the illustration. These would make super decorative accents for anyone interested in 1930’s fashion or sewing! All styles are undated but are mid-1930’s. Price includes U.S. shipping.

 

Row J 1930s Dress Illustrations with Fabric Samples: All prices INCLUDE first class shipping within the U.S. Foreign customers pay shipping and should email for exact cost. All illustrations on this line are from the C and D Company, Grand Rapids, MI, marketed under the Lilyan Frocks label (unless otherwise noted), undated but mid-1930s.

1) Style 7010 Lafayette, one-piece dress with strap trimming, three-quarter bell sleeves, single front diagonal pocket balances strap trimming on back of slim skirt, square neckline may be accented with a scarf, two samples of silk daytime crepe in brown and black, two samples of trim fabric in beige and green, $11 including shipping;
2) Style 780 Class, one-piece frock, petal raglan sleeve caps, two-way neckline closing, belt joins at either side of a rayed tucking, belt fastens in back, two fabric samples in cotton and knit blend featuring embroidered polka dots in soft yellow and soft pink, the word washable is neatly penned in the upper left quadrant, $12 including shipping;
3) Style 7020 Butterfly, one-piece dress, yoke of lighter color resembles a butterfly, collar may tie in box or be worn open and hanging straight, two rows of buttons trim the yoke, pockets trim the slim skirt, long sleeves are cut full at the elbow then narrow to the wrist, four samples of silk daytime textured crepe, one in cornflower (purple) and one in paree (green) are intended for the dress, plus two trim fabrics in beige and brown, $11 including shipping;
4) Style 7030 Encanto, one-piece frock, softly draped collar ending in waist-length revers, crushed belt, three-quarter raglan sleeves, buttonniere at shoulder, asymmetrical front skirt panel with pleat, two samples of silk daytime textured crepe in mauve and rose, two samples of trimming in black and brown satins, $12 including shipping.

 

Row K 1930s Dress Illustrations with Fabric Samples: All prices INCLUDE first class shipping within the U.S. Foreign customers pay shipping and should email for exact cost. All illustrations on this line are from the C and D Company, Grand Rapids, MI, marketed under the Lilyan Frocks label (unless otherwise noted), undated but mid-1930s.

1) Style 784 Victor, one-piece dress and cape, dress has surplice bodice with buttoned closing, godets in sleeves, diagonally placed pocket at right front hipline, cape slips over the head and is accented with a crepe scarf which threads through a series of loops at the neckline, two samples of cotton knit in white and fawn brown, two samples of trim fabric in green and dark brown, the word “washable” has been neatly penned in script at the upper quadrant, $12 including shipping;
2) Style 791 Monterey, one-piece dress, deep round yoke cut in one with the full-length back panel, six-gore skirt, sleeves are tucked at the top to give elbowfullness, scarf may be worn slipped through the buttonhole, button is repeated at belt closing, dress may be worn open at neckline, two fabric samples of knit and wool blend in brown/beige and black/beige, plus four samples of trim  in white and green, $11 including shipping;
3) Style 7000 Martinique – one-piece cape frock, body of dress is cut in one with the low pointed skirt yoke, front center pleats, cape serves in place of sleeves, bow accents side closing of cape, four samples of silk daytime crepe in rough texture, two for dress fabrics and two for trimming fabrics, one each of gold, fawn beige, brown, and black, $12 including shipping;
4) Style 774 Golfer, one-piece sports frock, sleeveless, v neckline with surplice buttoned closure, shaped shoulder seam gives a cape shoulder effect, skirt has yoke and double boxed pleats, the word “washable” has been neatly penned in script at the upper quadrant, two samples of cotton petite corduroy in honeydew and green, $11 including shipping.

 

Row L 1930s Dress Illustrations with Fabric Samples: All prices INCLUDE first class shipping within the U.S. Foreign customers pay shipping and should email for exact cost. All illustrations on this line are from the C and D Company, Grand Rapids, MI, marketed under the Lilyan Frocks label (unless otherwise noted), undated but mid-1930s.  

1) Style 7040 Ann-Reno, one-piece frock, vestee front in crepe print, scarf is held on right shoulder by a blending buckle and slips under a strap at the lower bustline, frilled sleeve trim, belt slips under vestee with fastening accented by blending buttons, front panel of six-gored skirt has lower pleats, two samples of silk canton crepe in green and brown, two samples of printed crepe trim fabric, $12 including shipping;
2) Style 7050 La Guayra, one-piece dress, collar may be buttoned high with a single button revealing only a line of facing print fabric or it may be worn open to show revers of print and a v-shaped neckline, double cape short sleeves, six-gored skirt flares toward hemline, two samples of silk daytime crepe in oyster and beige, two samples of trimming print fabric, $11 including shipping;
3) Style 782 Bon Mode, two-piece frock, six-gored slightly flared skirt, slip over blouse has waistline accented by a large cord trimmed with tassels, the same cord ties the collar, above-elbow sleeves are cut in three sections, two samples of knit and wool blend in green and rose, $11 including shipping;
4) Style 7090 Interlocken, one-piece frock, slim skirt has box pleated at side front and back, pocket with flap at right lower hipline, round neckline, scalloped collar may be buttoned on or off, flutter sleeves, two samples of woven knit print in white with red/black interlocked circles and green with black/white interlocked circles, the word “washable” has been neatly penned in script at the upper quadrant, $12 including shipping.

 

1950s 2-Sided Dress Illustrations with Fabric Samples: These illustrations are from vintage sample books that were used by saleswomen when taking orders from homes. The customer would select the desired fashion, her preferences in color and fabrics, and place a deposit on the order. The dress was later delivered by mail. The illustrations are representative of the latest styles of the time and feature a color illustration plus a brief description of the style, fabric, fabric colors, and sizes available. These are two-sided, with a different fashion and fabric sample on each side. Individual sheets are high quality, semi-glossy paper and measure 9” x 11.5”, fabric samples are in an alternate color choice from that shown in the illustration. Overall condition is very good. I have scanned both sides of the sheet so you may see both illustrations. These could be placed in double-sided Lucite frames so that you could enjoy both sides simultaneously, or hung and flipped occasionally. Great decorative accents for anyone interested in 1950’s fashion or sewing! All styles are undated but are circa 1952. Price includes U.S. shipping.

 

Row M Two-Sided 1950s Dress Illustrations with Fabric Samples: All prices INCLUDE first class shipping within the U.S. Foreign customers pay shipping and should email for exact cost. All illustrations on this line from the Hartford Frocks, Cincinnati, Ohio, undated but circa 1952, all measure 11.5” x 9”, fabric samples are in an alternate color choice from that shown in the illustration.  

1) Styles 8056 and 8057, one-piece shirtwaist dress with shallow wing collar and short cuffed sleeves, one fabric sample of striped combed chambray, and one-piece shirtwaist dress, white collar and cuffs, short sleeves in one, 4-gore skirt, two fabric samples of Bates combed plaid gingham, $10 including shipping;
2) Styles 8854 and 8869, one-piece dress with oblique bodice button line, revers, short sleeves, moderately full paneled skirt, one fabric sample of black crepe, and one-piece dress, button-front bodice, wide collar revers, matching pocket flaps, pleated skirt, two fabric samples of tissue faille in black and fern green, $9 including shipping;
3) Styles 8814 and 8815, one-piece duster can be worn as a coat, dress or robe and is cut full and loose like a pyramid coat, button-front, three quarter sleeves with deep turnback cuffs or long sleeves, kangaroo pockets, high flying collar, optional belt, two fabric samples in rayon suiting, and one-piece dress, high pointed collar, pointed cuffs on three-quarter length sleeves, inset dickey with rhinestone buttons, belled out skirt is pleated all around, one fabric sample of black/white taffeta check, $9 including shipping.

 

Row N Two-Sided 1950s Dress Illustrations with Fabric Samples: All prices INCLUDE first class shipping within the U.S. Foreign customers pay shipping and should email for exact cost.All illustrations on this line from the Hartford Frocks, Cincinnati, Ohio, undated but circa 1952, all measure 11.5” x 9”, fabric samples are in an alternate color choice from that shown in the illustration.  

1) Styles 8058 and 8059, one-piece dress with full skirt, white collar and cuffs, one sample of black with white cross stitch combed cotton, and one-piece button front dress, dolman sleeve bodice, side pockets, two samples of Dan River cotton Kasha cloth in white smoke and aqua, $10 including shipping;
2) Styles 8817 and 8859, dressy two-piece suit, up-curving neckline, button front jacket with rhinestone buttons, step-up pockets, slim skirt, one fabric sample of heavy corded ottoman in nightlite navy, and button-front princess duster/coat dress, pirate cuffed pockets at hips, long lapeled standup collar, back two-button belt, one sample of Empire taffeta in navy blue, $10 including shipping;
3) Styles 8801 and 8825, box jacket maternity dress with short sleeves and high collar, one fabric sample of dotted French crepe in navy and white, and one-piece maternity dress, short sleeves, mandarin neckline, gathered skirt, one fabric sample of cotton broadcloth in aqua, $9 including shipping.

 

Row O Two-Sided 1950s Dress Illustrations with Fabric Samples: All prices INCLUDE first class shipping within the U.S. Foreign customers pay shipping and should email for exact cost. All illustrations on this line from the Hartford Frocks, Cincinnati, Ohio, undated but circa 1952, all measure 11.5” x 9”, most fabric samples are in an alternate color choice from that shown in the illustration.  

1) Styles 8060 and 8061, jumper with jig-saw neckline, snug bodice, full gathered skirt, two fabric samples, one Fuji crepe in gardenia white and one cotton suede in black/white shepherd check, and fitted vest and skirt, vest has v neckine, sharp revers, cutaway front, pocket tabs, and full skirt with unpressed pleats in front, flared fullness in back, two fabric samples, one cotton suede houndstooth check in borwn/blue/yellow, and one brown gabardine, $10 including shipping;
2) Styles 8020 and 8021, one-piece dress with cuffed dolman sleeves, tucked bib yoke with rhinestone buttons, gathered flared skirt, one fabric sample sable brown flannel-like rayon, and two-piece knit suit dress, dolman sleeves, V neckline, slim skirt, one fabric sample in purple knight ribbed worsted wool, $9 including shipping;
3) Styles 8038 and 8039, one-piece dress with turtle neck collar, cap sleeves, and full gathered skirt, and Spencer jacket with three-quarter dolman sleeves, two fabric samples of brown suiting and green/white cotton jersey, and two-piece suit, button-front short jacket, long tapered sleeves with cuffs, pointed collar, pleated umbrella skirt, one sample of silver grey suiting, $10 including shipping.

 

Row P Two-Sided 1950s Dress Illustrations with Fabric Samples: All prices INCLUDE first class shipping within the U.S. Foreign customers pay shipping and should email for exact cost. All illustrations on this line from the Hartford Frocks, Cincinnati, Ohio, undated but circa 1952, all measure 11.5” x 9”, most fabric samples are in an alternate color choice from that shown in the illustration.

1) Styles 8340 and 8341, one-piece dress with button front bodice, medium full skirt with pocket, wide revers, short sleeves, one fabric sample of checked cotton in aqua, and one-piece dress with waffle pique bib, pointed collar, short dolman sleeves, flared skirt, one fabric sample of cotton Scotch plaid in brown and blue, $11 including shipping;
2) Styles 8024 and 8025, one-piece dress with winged collar, black panel front and back tapered at waist falls to the hemline in fuller folds, button front bodice, below-elbow length sleeves in one have shaped cuffs, two fabric samples of plaid highland flannel, and one-piece dress, three-quarter sleeves in one, softly pleated skirt, button front bodice, one fabric sample of green wool/rayon tweed touched with velvet, $11 including shipping;
3) Styles 8022 and 8023, one-piece dress with button-front bodice, wing collar, long sleeves with cuffs, flared skirt, one fabric sample of scarlet wool/rayon blend crepe, and one-piece dress with slashed collar, three-quarter cuffed sleeves in one, slash pockets at hips, flared skirt, one fabric sample of foil green wool/rayon blend crepe, $12 including shipping.

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